Lets Do the Time Warp Again Clip

Adobe Premiere Pro User Guide
Beta releases
1. Beta Plan Overview
2. Premiere Pro Beta Dwelling house
3. Features in Beta
  1. New import & export in Premiere Pro (Beta)
  2. FAQ | New import and export in Premiere Pro (Beta)
Getting started
1. Become started with Adobe Premiere Pro
2. What'southward new in Premiere Pro
3. Release Notes | Premiere Pro
4. Keyboard shortcuts in Premiere Pro
5. Accessibility in Premiere Pro
Hardware and operating organization requirements
1. Hardware recommendations
2. Arrangement requirements
3. GPU and GPU Driver requirements
4. GPU Accelerated Rendering & Hardware Encoding/Decoding
Creating projects
1. Creating projects
2. Open projects
3. Movement and delete projects
4. Work with multiple open projects
5. Work with Projection Shortcuts
6. Backward compatibility of Premiere Pro projects
7. Open up and edit Premiere Rush projects in Premiere Pro
8. Best Practices: Create your ain projection templates
Workspaces and workflows
1. Workspaces
2. Working with Panels
3. Windows bear on and gesture controls
4. Use Premiere Pro in a dual-monitor setup
Capturing and importing
1. Capturing
  1. Capturing and digitizing footage
  2. Capturing HD, DV, or HDV video
  3. Batch capturing and recapturing
  4. Setting upwards your arrangement for HD, DV, or HDV capture
2. Importing
  1. Transferring and importing files
  2. Importing still images
  3. Importing digital audio
3. Importing from Avid or Last Cut
  1. Importing AAF project files from Avid Media Composer
  2. Importing XML project files from Final Cut Pro vii and Terminal Cut Pro X
4. Supported file formats
5. Digitizing analog video
6. Working with timecode
Editing
1. Sequences
  1. Create and change sequences
  2. Add clips to sequences
  3. Rearrange clips in a sequence
  4. Discover, select, and group clips in a sequence
  5. Edit from sequences loaded into the Source Monitor
  6. Simplify sequences
  7. Rendering and previewing sequences
  8. Working with markers
  9. Scene edit detection
2. Video
  1. Create and play clips
  2. Trimming clips
  3. Synchronizing audio and video with Merge Clips
  4. Render and replace media
  5. Undo, history, and events
  6. Freeze and hold frames
  7. Working with aspect ratios
3. Sound
  1. Overview of sound in Premiere Pro
  2. Audio Rail Mixer
  3. Adjusting volume levels
  4. Editing, repairing and improving audio using Essential Sound console
  5. Automatically duck audio
  6. Remix audio
  7. Monitor clip volume and pan using Audio Clip Mixer
  8. Audio balancing and panning
  9. Advanced Audio - Submixes, downmixing, and routing
  10. Audio furnishings and transitions
  11. Working with audio transitions
  12. Utilise effects to audio
  13. Measure audio using the Loudness Radar upshot
  14. Recording audio mixes
  15. Editing audio in the timeline
  16. Audio channel mapping in Premiere Pro
  17. Use Adobe Stock audio in Premiere Pro
4. Advanced editing
  1. Multi-camera editing workflow
  2. Editing workflows for feature films
  3. Set up and use Caput Mounted Brandish for immersive video in Premiere Pro
  4. Editing VR
5. Best Practices
  1. Best Practices: Mix audio faster
  2. Best Practices: Editing efficiently
Video Effects and Transitions
1. Overview of video effects and transitions
2. Effects
  1. Types of effects in Premiere Pro
  2. Apply and remove furnishings
  3. Effect presets
  4. Automatically reframe video for different social media channels
  5. Color correction furnishings
  6. Alter duration and speed of clips
  7. Adjustment Layers
  8. Stabilize footage
3. Transitions
  1. Applying transitions in Premiere Pro
  2. Modifying and customizing transitions
  3. Morph Cutting
Graphics, Titles, and Blitheness
1. Graphics and titles
  1. Overview of the Essential Graphics panel
  2. Create a title
  3. Create a shape
  4. Bank check spelling and Find and Replace
  5. Utilize text gradients in Premiere Pro
  6. Add together Responsive Design features to your graphics
  7. Utilise Motion Graphics templates for titles
  8. Replace images or videos in Motion Graphics templates
  9. Utilise data-driven Motion Graphics templates
  10. Best Practices: Faster graphics workflows
  11. Working with captions
  12. Speech to Text
  13. Spoken communication to Text in Premiere Pro | FAQ
  14. Upgrade Legacy titles to Source Graphics
2. Animation and Keyframing
  1. Adding, navigating, and setting keyframes
  2. Animating effects
  3. Use Motion effect to edit and animate clips
  4. Optimize keyframe automation
  5. Moving and copying keyframes
  6. Viewing and adjusting furnishings and keyframes
Compositing
1. Compositing, blastoff channels, and adjusting clip opacity
2. Masking and tracking
3. Blending modes
Color Correction and Grading
1. Overview: Color workflows in Premiere Pro
2. Get artistic with color using Lumetri looks
3. Adjust color using RGB and Hue Saturation Curves
4. Right and match colors betwixt shots
5. Using HSL Secondary controls in the Lumetri Color panel
6. Create vignettes
7. Looks and LUTs
8. Lumetri scopes
9. Brandish Color Management
10. HDR for broadcasters
11. Enable DirectX HDR back up
Exporting media
1. Workflow and overview for exporting
2. Quick export
3. Exporting for the Web and mobile devices
4. Export a even so epitome
5. Exporting projects for other applications
6. Exporting OMF files for Pro Tools
7. Consign to Panasonic P2 format
8. Exporting to DVD or Blu-ray Disc
9. Best Practices: Consign faster
Collaboration
1. Using Productions
2. How clips work across projects in a Production
3. Best Practices
  1. All-time Practices: Working with Productions
Working with other Adobe applications
1. After Effects and Photoshop
2. Dynamic Link
3. Audience
4. Prelude
Organizing and Managing Assets
1. Working in the Project panel
2. Organize avails in the Projection panel
3. Playing avails
4. Search avails
5. Artistic Deject Libraries
6. Sync Settings in Premiere Pro
8. Consolidate, transcode, and archive projects
9. Managing metadata
10. All-time Practices
  1. Best Practices: Learning from circulate production
  2. Best Practices: Working with native formats
Improving Performance and Troubleshooting
1. Set preferences
2. Reset preferences
3. Working with Proxies
  1. Proxy overview
  2. Ingest and Proxy Workflow
4. Check if your organization is compatible with Premiere Pro
5. Premiere Pro for Apple tree silicon
6. Eliminate flicker
7. Interlacing and field order
8. Smart rendering
9. Command surface support
10. Best Practices: Working with native formats
11. Cognition Base
  1. Green and pink video in Premiere Pro or Premiere Blitz
  2. How do I manage the Media Cache in Premiere Pro?
  3. Set up errors when rendering or exporting
  4. Troubleshoot issues related to playback and performance in Premiere Pro
Monitoring Avails and Offline Media
1. Monitoring assets
  1. Using the Source Monitor and Plan Monitor
  2. Using the Reference Monitor
2. Offline media
  1. Working with offline clips
  2. Creating clips for offline editing
  3. Relinking offline media

Utilise Premiere Pro's masking tools to apply effects to a specific role of a frame in your video. Learn to apply a mask, so track information technology as it moves beyond the frame.

Masking in Premiere Pro

Masks let you define a specific area in a clip that yous want to blur, comprehend, highlight, utilise effects, or colour-correct. Yous can create and modify different shaped masks, like an Ellipse or a Rectangle. Or, you lot can draw free-class Bezier shapes using the Pen tool.

Create masks using shapes

You lot tin use the Ellipse shape tool to create a circular or ellipse-shaped mask, or a Rectangle shape tool to create a 4-sided polygon.

In the Timeline panel, select the prune y'all want to mask.

From the Furnishings panel, select the effect that yous want to utilize to the prune.

For instance, if y'all desire to apply the Mosaic result, select Video Effects > Stylize > Mosaic.

Apply the selected effect to a clip past dragging the issue from the Effects panel to the clip in the Timeline panel. Alternatively, select the clip and double-click an effect in the Effects console to apply it.

For more data on applying an effect, see Apply effects to clips.

Add mosaic effect to a clip — Add mosaic effect to a prune

Open the Outcome Controls panel to see the effect properties. Click the driblet-down arrow to reveal the controls.

Yous can create an ellipse or rectangle. Apply the Pen tool to create gratuitous grade shapes.

You lot tin can specify values to conform a mask using theEffect Controls console. The controls change depending on your choice. For more information, see Adjust mask settings.

Click the Ellipse shape tool to create an Ellipse-shaped mask or click the Rectangle shape tool to create a rectangle-shaped mask.

The shape mask appears in the prune displayed in the Program Monitor, and the effect is constrained within the masked area.

You can now customize the size and shape of the mask using the Effect Controls panel. For more data on editing your mask, see Adjust mask settings.

Y'all tin can apply the same outcome multiple times by using different settings each time.

Important notes

Premiere Pro does not relieve masks as effects presets.
Masking is disabled for the Warp Stabilizer consequence. The mask shape controls practise not appear for the Warp Stabilizer issue in the Event Controls Panel.

Create free-grade shapes

Y'all can create free-form shapes using the Pen tool. The Pen Tool lets you lot freely draw complex mask shapes around objects.

Select the Pen tool from the Effect Controls panel. Draw straight on the clip in the Programme Monitor.

Create a free form shape using the Pen tool — Create a gratis course shape using the Pen tool

You can create different shapes past drawing straight lines and curved segments. To draw polish curves, you can draw Bezier path segments that provide you lot greater control over the shape of the mask.

The simplest path that you tin draw with the Pen tool is a direct line with 2 vertex points. By continuing to click, you create a path made of straight-line segments connected by vertex points. This is a linear mask.

A linear mask is ever a polygon with joined by hard angles. Linear control points are also known equally corner points.

Use the Pen tool to create a linear mask

Position the Pen tool where you want the straight segment to begin, and click to ascertain the outset vertex point (do not drag).

The first segment you draw is not visible until you click a second vertex point.

Click again where you want the segment to terminate.

Continue clicking to set vertex points for additional straight segments.

To close the path with a linear mask, Alt+click (Windows) or Option+click (macOS) over the kickoff vertex indicate.

You create a curved path segment by dragging direction lines using the Pen tool. The length and direction of the direction lines determine the shape of the curve.

To create Bezier shapes, yous catechumen a vertex point on a mask to a Bezier point by pressing the Alt key while placing the cursor over the vertex bespeak. The cursor becomes an inverted "Five" shape . Then, click and release the pointer.

Bezier handles provide two-directional controls that allow you to modify the curve of the line segment between the handle and the next point on either side.

bezier lines

A. Ii-directional Bezier handles to control the shape of the curveB. Bezier mask points

Place the Pen tool where you want the curve to brainstorm, and agree the mouse button down. A vertex appears, and the Pen tool pointer changes to an arrowhead.

Drag to modify the length and direction of both direction lines for a vertex, and and then release the mouse button.

A. Placing the Pen tool
B. Starting to drag (mouse button pressed)
C. Dragging to extend management lines

Drawing the first vertex in a curved path

Identify the Pen tool where yous want the curved segment to end, and do one of the following:

To create a C-shaped curve, drag in the direction opposite from the management that you dragged the previous management line, and so release the mouse button.

A. Starting to drag
B. Dragging away from previous direction line, creating a C curve
C. Result after releasing mouse button

Drawing the second vertex in a curved path — Drawing the 2d vertex in a curved path

To create an S-shaped curve, drag in the aforementioned management equally the previous direction line, then release the mouse push button.

A. Starting to elevate
B. Dragging in same direction as previous direction line, creating an S curve
C. Result after releasing mouse button

Continue dragging the Pen tool from different locations to create a series of smooth curves.

Yous can create perfect angles using the Pen tool. To create a perfect angle, practice one of the following:

Shift + click to describe perfect 0°, 45°, 90° angles.
Shift+ elevate on an existing Linear indicate to motility it around at  0°, 45°, 90° angles.
Shift + click to draw a new bezier point to create a curve with handles constrained to 0°, 45°, 90° angles.
Shift + drag on existing Bezier control handles to adjust them at 0°, 45°, xc° angles.
Opt + Shift + click and drag breaks the bezier into 2 curves while constraining the 1 yous clicked on to 45° increments.

Modifying and moving masks

The vertex points on a mask let you easily manage the shape, size, and rotation of a mask.

Modify the shape, size, and rotation of a mask

masking3-31

To change the shape of a mask, elevate a mask handle.

masking3-32

To change the shape of an ellipse mask to a polygon, printing Alt and click any of the vertices of the ellipse.

masking3-33

To resize a mask, place your cursor just outside a vertex and press Shift (cursor becomes a double-sided arrow), then elevate the cursor.

masking3-34

To rotate the mask, identify your cursor merely exterior a vertex (cursor becomes a curved double-sided arrow), and then drag.

Motility, add together, or remove a vertex

masking3-35

To move a vertex, drag the vertex with the Option tool. Note that while dragging an ellipse-shaped mask, the ellipse shape is not maintained.

masking3-36

To add a vertex, place your cursor over a mask edge while pressing Ctrl (Windows) or Cmd (macOS). The cursor changes to a pen shape with a "+" sign.

masking3-37

To remove a vertex, identify your cursor over the point while pressing Ctrl (Windows) or Cmd (macOS). The cursor changes to a pen shape with a minus sign.

Other important commands and keyboard shortcuts

Use the arrow keys on your keyboard to nudge a selected control point past a distance of one unit.
Press Shift and use the arrow keys to nudge a selected control bespeak by a distance of five units.
To deselect all the selected command points, click outside a currently active mask.
To disable directly manipulation of a mask, click exterior the mask. Or deselect the prune in the sequence.
To delete a mask, select the mask in the Consequence Controls Panel and press Delete on your keyboard.

Adjust mask settings

You can specify values to conform a mask using the Effect Controls panel. You lot can plume the mask, aggrandize the mask, change the opacity, or capsize the mask to stylise your video.

Apply mask feathering

feather mask

To plume a mask, specify aMask Feather value. The feathering guide appears around the mask as a dashed line. Elevate the handle away from the feathering guide to increase the feathering, or toward the feathering guide to decrease the feathering.

The mask plume handle lets you control the corporeality of feathering direct on the mask outline in the Program Monitor.

Adjust mask opacity

opacity

When opacity is applied to a mask it volition change the opacity of the footage y'all take cropped out.

To adjust the opacity of a mask, specify a Mask Opacity value. The slider controls the mask opacity. At a value of 100, the mask is opaque and blocks out any underlying area of the layer. As you lower the opacity, more of the expanse nether the mask becomes visible.

Conform mask expansion

expand

To expand a mask, specify aMask Expansion value. Positive values motion the borders outward, and negative values move information technology inward. You tin also drag the handle away from the expansion guide to aggrandize the mask area, or toward the expansion guide to contract the mask expanse.

Invert mask option

invert mask

Select the Inverted check box to reverse the masked and unmasked areas.

You tin can protect areas that you lot desire to leave equally-is by masking it, and select the Inverted check box to utilize effects to the unmasked areas.

Copy and paste masks

You tin can hands copy and paste masks between clips or betwixt effects.

Re-create and paste effects with masks between clips

When you copy and paste an upshot containing masks, the pasted event has the same masks applied.

In the Timeline panel, select the clip containing the consequence with masks.
In the Issue Controls console, select the outcome to copy.
Select Edit > Copy. Or apply the keyboard shortcut Ctrl+C (Windows) or Cmd+C (Mac OS).
Select some other clip in the Timeline to which you want to paste the mask.
Select Edit > Paste. Or employ the keyboard shortcut Ctrl+V (Windows) or Cmd+Five (Mac Os).

Re-create and paste masks between effects

In the Effect Controls console, click the triangle to expand the upshot to reveal the practical masks.
Select the mask to copy.
Select Edit > Re-create. Or use the keyboard shortcut Ctrl+C (Windows) or Cmd+C (Mac Os).
Select another effect in the Outcome Controls panel to which you want to paste the mask.
Choose Edit > Paste. Or utilize the keyboard shortcut Ctrl+V (Windows) or Cmd+Five (Mac Bone).

You can copy and paste merely one mask at a time.

Mask tracking in Premiere Pro

When yous utilise a mask to an object, Premiere Pro can let the mask automatically follow the object as it moves from one frame to another. For case, after blurring a face using a shape mask, Premiere Pro can automatically track the movements of the masked confront from frame to frame every bit the person moves.

When a mask is selected, the Result Controls panel displays controls for tracking the mask forward or backward. Y'all tin can choose to track the mask either one frame at a time or until the end of the sequence.

Click the wrench icon to modify how masks are tracked. You can select from a few choices to provide the most effective tracking:

Position

Tracks just the mask position from frame to frame

Position And Rotation

Tracks the mask position while irresolute the rotation equally required per frame

Position, Calibration, And Rotation

Tracks the mask position while automatically scaling and rotating as the frame moves

You can discover the option that works all-time for your prune by trial. Select one of these options, and if it doesn't work well, undo, and attempt another one.

To use the more advanced tracking features available in After Effects, transport your sequence to After Furnishings using the Dynamic Link feature. For more than information, see Mask Tracking in Later Furnishings.

Speed upwards mask tracking

Mask tracking in Premiere Pro is faster when Alive Preview is disabled (the default option). If for some reason, Live Preview is enabled, you lot tin disable it using the following procedure.

In the Timeline panel, select the clip containing the issue with masks.

To preview the changes in the rail, click the mask wrench icon and select preview from the drop-down list.

To disable live preview, click the mask wrench icon and deselect preview from the drib-downwards list.

In add-on, Premiere Pro has in-built features that optimize mask tracking:

For clips with a elevation greater than 1080, Premiere Pro scales the frame to 1080 before calculating the track. Also, Premiere Pro uses Low Quality renders to speed upward the process of mask tracking.

Video tutorial

How to blur a moving confront with masking and tracking

In this 5-min video tutorial, learn how to apply a feathered mask to protect a person's identity so track that mask equally it moves across the frame in a scene.

The tutorial provides you sample files to attempt out the feature for yourself.

marencoworde1990.blogspot.com

Source: https://helpx.adobe.com/premiere-pro/using/masking-tracking.html